APOCALIPSYNC_

Luciano Rosso presents in this physical theater solo a whole multitude of creative facets. Excellent in several scenic disciplines, he develops particular interpretation movements,, musicality and humor and deploys a series of lip-syncing, mime and dance techniques.
Synopsis
APOCALYPSINC_ arises from the concern generated by the life of the human being today. How the body, mind and spirit intertacts or how they are transformed into functional devices as society appears.

On this occasion, the actor embodies a journey through the psyche of a human being and the potential consequences of his confinement. The constancy in this story focuses on how external stimuli condition and place him in opposition to the search for his inner wisdom and spiritual knowledge, distancing him from himself, from his essence, from his being.

Each scene represents a stage of transformation of a man immersed in a world that holds his freedom, to go through an existential crisis and finally find himself. The show shows us the path that he travels towards his purest state to give meaning to his existence.

The piece is made up of 10 scenes that follow one another through transition and without interruption. The minimalist staging allows Luciano Rosso to take completely owning of the scene giving free rein to his characters. These latter are numerous, nearly forty, whom he interprets in turn by offering us a reflection on isolation and the increasingly connected world in which we live. He explores the duality between a character and his psyche, between the actor and his body, between man and his spirituality. It is these three relationships that are represented throughout the show.

It is ultimately an introspection into the intimacy and vulnerability of the actor, which invites you to follow him in his sassy and whimsical characters, but also in a world in crisis increasingly dependent on technology and social networks.

Comical and moving, Luciano Rosso plunges us with APOCALIPSYNC_ in a universe whimsical of which he alone has the secret.
CREW
CREATION: Luciano Rosso
CO-DIRECTION: Luciano Rosso & María Saccone
COSTUME DESIGN AND ESCENOGRAPHY: Luciano Rosso & Oria Puppo
SOUND DESIGN: Lolita De Magalhaes Saldanha
GRAPHIC DESIGN: José Saccone
PRODUCTION: T4 / Maxime Seugé + Jonathan Zak & Quartier Libre Productions
ON TOUR
4-16 L'Arsenic Gindou, Salviac (France)
6-1 La Baleine, Onet Le Chateau (France)
8-1 CCAS/EGF, Montreuil (France)
8-2 CCAS/EGF, Montreuil (France)
8-3 CCAS/EGF, Montreuil (France)
8-4 CCAS/EGF, Montreuil (France)
8-5 CCAS/EGF, Montreuil (France)
8-6 CCAS/EGF, Montreuil (France)
8-7 CCAS/EGF, Montreuil (France)
8-8 CCAS/EGF, Montreuil (France)
8-9 CCAS/EGF, Montreuil (France)
8-10 CCAS/EGF, Montreuil (France)
8-11 CCAS/EGF, Montreuil (France)
8-12 CCAS/EGF, Montreuil (France)
8-13 CCAS/EGF, Montreuil (France)
8-14 CCAS/EGF, Montreuil (France)
9-15 Sibiu (Romania)
9-16 Sibiu (Romania)
11-19 Mairie de Rosny-sous-Bois, Rosny-sous-Bois (France)
11-22 Le Kiasma, Ville de Castelnau-le-Lez (France)
12-10 Ville de Tinqueux, Tinqueux (France)
3-2 Antibes (France)
3-3 Antibes (France)
3-14 Théâtre du Rond-Point, Paris (France)
3-15 Théâtre du Rond-Point, Paris (France)
3-16 Théâtre du Rond-Point, Paris (France)
3-17 Théâtre du Rond-Point, Paris (France)
3-18 Théâtre du Rond-Point, Paris (France)
3-19 Théâtre du Rond-Point, Paris (France)
3-20 Théâtre du Rond-Point, Paris (France)
3-21 Théâtre du Rond-Point, Paris (France)
3-22 Théâtre du Rond-Point, Paris (France)
3-23 Théâtre du Rond-Point, Paris (France)
3-24 Théâtre du Rond-Point, Paris (France)
3-25 Théâtre du Rond-Point, Paris (France)
3-26 Théâtre du Rond-Point, Paris (France)
3-27 Théâtre du Rond-Point, Paris (France)
3-28 Théâtre du Rond-Point, Paris (France)
3-29 Théâtre du Rond-Point, Paris (France)
3-30 Théâtre du Rond-Point, Paris (France)
3-31 Théâtre du Rond-Point, Paris (France)
4-1 Théâtre du Rond-Point, Paris (France)
4-2 Théâtre du Rond-Point, Paris (France)
4-8 Mairie de Sarcelles - Service culturel, Sarcelles (France)
5-4 Theatre le neutrino, Genas (France)
5-5 La Soierie, Faverges (France)